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Programme of study for key stage 3
The importance of music
Music is a unique form of communication that can change the way pupils feel, think and act. Music forms part of an individual’s identity and positive interaction with music can develop pupils’ competence as learners and increase their self-esteem. Music brings together intellect and feeling and enables personal expression, reflection and emotional development. As an integral part of culture, past and present, music helps pupils understand themselves, relate to others and develop their cultural understanding, forging important links between home, school and the wider world.
Music education encourages active involvement in different forms of music-making, both individual and communal, helping to develop a sense of group identity and togetherness. Music can influence pupils’ development in and out of school by fostering personal development and maturity, creating a sense of achievement and self-worth, and increasing pupils’ ability to work with others in a group context.
Music learning develops pupils’ critical skills: their ability to listen, to appreciate a wide variety of music, and to make judgements about musical quality. It also increases self-discipline, creativity, aesthetic sensitivity and fulfilment.
1. Key concepts
There are a number of key concepts that underpin the study of music. Pupils need to understand these concepts in order to deepen and broaden their knowledge, skills and understanding.
1.1 Integration of practice
Developing knowledge, skills and understanding through the integration of performing, composing and listening.
Participating, collaborating and working with others as musicians, adapting to different musical roles and respecting the values and benefits others bring to musical learning.
1.2 Cultural understanding
Understanding musical traditions and the part music plays in national and global culture and in personal identity.
Exploring how ideas, experiences and emotions are conveyed in a range of music from different times and cultures.
1.3 Critical understanding
Engaging with and analysing music, developing views and justifying opinions.
Drawing on experience of a wide range of musical contexts and styles to inform judgements.
1.4 Creativity
Using existing musical knowledge, skills and understanding for new purposes and in new contexts.
Exploring ways music can be combined with other art forms and other subject disciplines.
1.5 Communication
Exploring how thoughts, feelings, ideas and emotions can be expressed through music.
Explanatory notes
Performing, composing and listening: Performance, composing and listening are interrelated. Pupils should be encouraged, for example, to develop listening skills through performance and composition activities. Knowledge, skills and understanding in each of these areas should be developed interactively through practical music-making.
Participating, collaborating and working with others: Music is a social experience in which each performer and listener contributes to the whole experience. Music activities help pupils develop as effective team workers and participators by providing opportunities to play a full part in the life of their school or wider community.
Understanding musical traditions: The way we respond to music is determined to a large extent by our culture. We need to learn how and why music is different if we are to appreciate unfamiliar music.
Engaging with and analysing music: This includes engaging with music through performance and listening, and appraising music that covers a range of styles, genres and traditions.
Wide range of musical contexts: Pupils’ awareness and experience of a wide range of music should be broadened through the key processes of performing, composing and listening.
Combined with other art forms: This includes music linked to video, film, dance or drama.
2. Key processes
These are the essential skills and processes in music that pupils need to learn to make progress.
2.1 Performing, composing and listening
Pupils should be able to:
sing in solo or group contexts, developing vocal techniques and musical expression
perform with control of instrument-specific techniques and musical expression
practise, rehearse and perform with awareness of different parts, the roles and contributions of different members of the group, the audience and venue
create, develop and extend musical ideas by selecting and combining resources within musical structures, styles, genres and traditions
improvise, explore and develop musical ideas when performing
listen with discrimination and internalise and recall sounds
identify the expressive use of musical elements, devices, tonalities and structures.
2.2 Reviewing and evaluating
Pupils should be able to:
analyse, review, evaluate and compare pieces of music
identify conventions and contextual influences in music of different styles, genres and traditions
communicate ideas and feelings about music, using expressive language and musical vocabulary to justify their opinions
adapt their own musical ideas and refine and improve their own and others’ work.
Explanatory notes
Essential skills and processes: These should be seen as interrelated skills and processes that enable the development and demonstration of musicianship and musical understanding.
Group contexts: These include singing in unison and in parts.
Developing vocal techniques: This could include using the voice to make music in a variety of ways, for example different singing styles, rapping, beatboxing, choral singing, scat singing, chant and other vocal styles from around the world.
Create, develop and extend: This includes composing original music, arranging existing musical ideas and creating new pieces using a range of existing material.
Musical structures: These include popular song structures, binary form, ternary form, variations, rondo, raga and 12-bar blues.
Styles, genres and traditions: Different types of music across time and place (styles), music for different purposes (genres) and ways of working and producing music that may reflect a specific cultural or social function (traditions).
Musical elements: These include pitch, duration, dynamics, tempo, timbre, texture and silence.
Musical devices: These include repetition, riff, ostinato, call and response, canon, sequence, inversion, cyclic patterns and ornamentation.
Musical tonalities: These include major and minor keys, atonality, modulation and different types of scales.
3. Range and content
This section outlines the breadth of the subject on which teachers should draw when teaching the key concepts and key processes.
The study of music should include:
performance activities in a range of contexts within and beyond the classroom
a range of live and recorded music from different times and cultures
a range of classical and popular traditions and current trends in music that reflect cultural diversity and a global dimension
staff notation and other relevant notations in a range of musical styles, genres and traditions
consideration of contextual influences that affect the way music is created, performed and heard
the use of music technologies to create, manipulate and refine sounds
the role of music and musicians in society, of the music industry and of artistic and intellectual property rights.
Explanatory notes
Performance activities in a range of contexts: For example, pupil concerts, public concerts, assemblies, rehearsals, formal and informal external events and online performance events.
A range of classical and popular traditions: This should include music from different national and cultural traditions, including the western classical tradition and, for example, folk, jazz, contemporary and 20th century popular music and music for film, television and the stage.
Staff notation: This should include gaining an understanding of, and using, traditional staff notation in a range of musical styles (including contemporary and popular music).
Other relevant notations: Other notations, where relevant to particular styles of music, could include graphic notation, tablature, chord symbols, notation for percussion instruments and lead sheets.
Contextual influences: These include historical, social, national or political contexts; the purpose of different types of music; the roles of performers, composers and audiences; and the influence of developments in technology.
Use of music technologies: This includes the use of ICT and music technologies to control and structure sound in performing and composing activities, and in developing pupils’ own ideas within and beyond the classroom.
Artistic and intellectual property rights: These include rights relating to pupils’ own work and the work of others.
4. Curriculum opportunities
During the key stage pupils should be offered the following opportunities that are integral to their learning and enhance their engagement with the concepts, processes and content of the subject.
The curriculum should provide opportunities for pupils to:
develop individual performance skills, both vocal and instrumental, including the use of music technology
develop listening and aural perception skills in practical activities, including composing and performing
develop creative and compositional skills, including songwriting, arranging and improvising
work with a range of musicians and watch and listen to live musical performances where possible, to extend their musical learning
work individually, in musical groups of different sizes and as a class
build on their own interests and skills, taking on different roles and responsibilities and developing music leadership skills
g make links between music and other subjects and areas of the curriculum.
Explanatory notes
A range of musicians: This could include instrumental tutors, community musicians, professional artists, amateur musicians and pupils from peer groups and other groups in the school. It could also include web-based learning opportunities.
Music leadership skills: These include organising musical activities or events and being the leader or director of a performance.
Last updated 11 June 2009.

